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Mount Stuart Trust is to host a solo exhibition by Whitney McVeigh this spring as part of its expanded contemporary visual arts programme.
McVeigh reaches into the Bute Archive, traditionally the realm of a patriarchal narrative, and focuses on intimate traces of the history of women in the house, in particular Gwendolen Crichton Stuart, third Marchioness of Bute (1854-1932) and Augusta Crichton Stuart DBE, fourth Marchioness of Bute (1880-1947). The exhibition is an opportunity to bring the archive into the public space, an encounter that alludes to layers of time and celebrates our universality.
McVeigh’s practice is concerned with identity, memory and the collective unconscious. She refers to the ‘archaeology of memory’ as a central concept in her work, and the belief that energy, in accordance with particle physics, never dies. In this show she presents curated assemblages of archive material and objects, and (following on from her recent work Divine Rules at the Getty Villa in California) a selection of books from the 25,000 publications in the Mount Stuart library, together with her own open letter and texts addressed to the public reader and inscribed on brass plaques placed throughout the house.
A speech given by Augusta in 1934 to the North Bute Literary Society forms the basis for a sound installation, She Was Known to You, made in collaboration with actor Maureen Beattie. The tone of the recording, in the manner of writing, is quiet and reflective, and is sited in Augusta’s study. The various works encapsulate McVeigh’s process – a transformative dialogue between the context, the artist and the viewer – and her profound skills of observation.
Whitney McVeigh (b. 1968, New York) lives and works in London where she is a Fellow in creative practice at University of the Arts, London. Recent solo exhibitions include Elegy to Nature at Eykyn Maclean, New York (2018), Language of Memory at Summerhall Arts, Edinburgh (2015-16) and Inventory: Invisible Companion at Kettle’s Yard, Cambridge (2015).
In 2019, McVeigh will guest-curate Documentum, co-founded by Stephen Shore, William Boling and Dawn Kim, a periodical archiving and examining the cultural ephemera of our time.
Group exhibitions include Plato in LA: Contemporary Artists’ Visions at the Getty Villa, Los Angeles (2018), and Glass Stress, White Light/White Heat at the 55th Venice Biennale (2013). McVeigh presented the short film ’Birth’: Origins at the end of life at the Royal Academy of Arts, London (2015). She was featured in BBC4 television documentary, Where is Modern Art Now (2009) alongside Michael Landy, Grayson Perry, Cornelia Parker and Sir Anthony Caro and in 2007 gave a short presentation of her work at Louise Bourgeois’ Salon in New York.